DIRS.INFO The most relevant business & tech news

☆ Marie Laurencin, the 1920s painter who hid sapphic symbols in her portraits
▼ + stars: | 2024-01-10 | by ( Jacqui Palumbo | ) edition.cnn.com time to read: +9 min

Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Christie's/Bridgeman Images/Courtesy Barnes FoundationA portrait of Marie Laurencin by Man Ray, 1925. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Bridgeman Images/Courtesy Barnes Foundation"The Woman-Horse (La femme-cheval)," from 1918. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Courtesy Barnes FoundationBut as definitions of femininity have expanded in recent decades, so too has appreciation for Laurencin’s idyllic, women-only world. She often titled her portraits of women “Friends” or “Two Friends,” leaving the exact nature of their intimacy unclear. It’s almost like a radical utopia… a world of women, for women, by women,” Kang said.

Persons: peintre, modèle, Christie's, Marie Laurencin, Man Ray, CNN — Marie Laurencin’s, ”, Pablo Picasso, Georges Braque —, Simonetta Fraquelli, ” Fraquelli, “, Laurencin, Cindy Kang, Barnes, Francisco Goya, Kang, don’t, ’, Académie Humbert, wasn’t, Rachel Silveri, Adrienne Monnier, airheads, Mademoiselle Chanel, — Picasso, Jean Cocteau, Paul Rosenberg —, Coco Chanel, Maud “ Emerald, Jacques Faujour, Dove ”, Nicole Groult, “ It’s, ” Kang, Natalie Clifford Barney, Gertrude Stein, Berenice Abbott, Otto von Waetjen, Guillaume Apollinaire, Suzanne Moreau, —, Musée de, Herve Lewandowski, — Laurencin, Marshal Philippe Pétain, Moreau, Masahiro Takano, Albert C, hasn’t, we’ve Organizations: Foujita, Artists Rights Society, CNN, grays, Barnes Foundation, Palais, Art, Fraquelli, Groult, Museum, Marie, Marie Laurencin Museum Locations: New York, ADAGP, Paris, Philadelphia, Sapphic Paris, Spain, Musée de l'Orangerie, Vichy France, Japan, Tateshina, Japan’s Nagano, Tokyo, “

☆ Berenice Abbott Captured Manhattan in the Throes of Heady Change
▼ + stars: | 2023-08-16 | by ( Karen Rosenberg | ) www.nytimes.com time to read: +1 min

If you were an American artist or writer in the 1920s, Paris was where you wanted to be. She had lived in New York once, just eight years before, but in her absence the city had been scaled up: new skyscrapers were rising, the population was exploding, and every block, it seemed, was abuzz with commerce and construction. (The market crash of October 1929 was still many months away). Suddenly, Paris was passé. The exhibition’s focus is a disbound scrapbook with seven to nine photographs per page, all taken over the course of that year, as Abbott paced the streets (and piers, bridges and train platforms) with a hand-held camera and a compulsion to capture New York’s unruly, cutthroat modernity.

Persons: Berenice Abbott, —, Man Ray, James Joyce, Djuna Barnes, “ Bernice ”, Berenice, ”, Abbott, “, Berenice Abbott’s Organizations: Metropolitan Museum Locations: American, Paris, Springfield , Ohio, New York, “, Lower Manhattan, United States

Search resuls for: "Berenice Abbott"

2 mentions found